Tuesday, March 31, 2015

Things No One Cares About: Mistress Fortune

Reaching the end of this horrid month,we arrive at Mistress Fortune. I originally planned this as the follow up to Jojo month but for reasons lost to myself I didn't. Now I'm back with a vengeance to talk about my very first Arina Tanemura book. I have no deep story about why I picked this,it didn't call to me with a ground breaking premise or because a friend fervently recommended it to me. Nope,just picked it up because the pink and white spine looked nice. Well, now that I've outed myself as a vain idiot,let's talk about Mistress Fortune...finally.

Mistress Fortune shares a lot of similarities with the earlier I.O.N, in that both girls have psychic powers and are close to boys as a result. There is even a nice little call back to the flying scene from I.O.N as well as a few other series including Phantom Thief Jeanne. They both also feature a romance plot that slowly but surely overtakes the more fantastical elements. The only difference here is that the psychic plot is meant to play second fiddle to the main romance. Indeed everything is a side note to the romance between Kisaki and Giniro and every characters is semi aware of it.

The plot is a rather loose magical girl set-up that serves to help the main couple grow. The monsters or EBE as they are called are less harbingers of destruction and more oblivious tourists. Heck the first one the team fights, becomes a regular character and gets her own side story about becoming a socialite. The interpersonal drama between our two leads is mostly played for laughs,he's more interested in her tracts of land and this makes her angry. However when they do buckle down and get serious for a bit,there is some surprising tenderness in the relationship despite it seeming to be an aesthetic attraction. Once the apparently inevitable rejection scene comes up,it actually works this time. Mostly because again the romance is the focus so it's fairly important and she is actually rejecting him for a solid reason instead of just plot extender.

The characters themselves are not bad,more generic than anything else. Kisaki is one missing parent short of your typical shojo heroine and Ginro is the hot guy with the troubled past. Their director,Dr. Gunjo is a goofy jokester and Ebe-ko,the monster,is your wacky non-human sidekick. This can be forgiven as the cast is rather funny and likable. Ginro's love for the Kisaki's lady lumps and his inability to keep his mouth shut about them at risk of injury is funny. They all play their role well and get a few good jokes off.

This is shojo fluff through and through, attractive characters having a relationship that will be forgotten soon enough. I feel that Arina Tanemura is acknowledging her worse habits here and working with them as opposed to letting them run wild. It's just self aware enough that I can forgive the weaker elements while not being over reliant on them to the point of taking me out of the story.

So as I lay here at the bottom of the ravine dying slowly,alone and in pain, at least this month ended on a high note. I started this month for no real reason other than to have an excuse to read through some works of a prolific manga-ka. It's had it's ups and downs and while I won't claim I really know Tanemura's works better, I have a better feel for her when I get to her longer works. So I'll see you next time where I'll probably be a ghost or not mention that I died ever again

Till Next Time:Stay Positive

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